2013년 9월 29일 일요일

Technical Books

Technical Books



ItemMokumi Gane: Ian Ferguson
Mokumi Gane is an old Japanese technique for creating patterned and coloured finishes. The Japanese words literally translate as eye of the wood grain metal . Modern jewellery and silversmiths have adopted and modified this traditional technique to produce stunning finishes for their work the results of which have received work-wide acclaim.In this practical handbook, Ian Ferguson looks at the history of the technique, discusses the materials, equipment and technical information needed for the process, and gives and entirely new slant o the manufacturing techniques. He discusses the great challenge involved in using the process and celebrates the fact that each piece of work is unique, a new experiment, a new adventure.
Ian Ferguson is one the worlds leading practitioners of mokumi gane. An Australian, her received both his doctoral and maters degrees from the Royal College of Art in London. He has won numerous awards and his work appears in private and public collections around the world.
ISBN 0-7136-6156-9

 

ItemResin Jewellery: Kathie Murphy
Polyester resin is a liquid plastic that can be coloured with special pastes or used clear with object embedded in it. It can easily be poured into moulds, allowing unusual shapes or multiple copies to be made. The versatility of resin makes it an ideal material for creating jewellery.In this book, Kathie Murphy discusses plastic it history, what it is, how to store it, different types of resin and their uses, and the health and safety issues which are such an important consideration when working with resin. She illustrates her text with examples of pieces made bay an international group of artists. The result is a practical book that will also encourage and inspire all those who would like to make jewellery in resin.
Kathie Murphy is a well know UK jeweller. She shows regularly at the Chelsea Craft Fair and at the Dazzle exhibitions, She is also on the Crafts Council selected list of makers. She is one of the leading proponents of resin jewellery.
ISBN 0-7136-5275-6

 

ItemThe Rings Book: Jinks McGrath
Rings are one of the most commonly worn forms of jewellery, and most jewellers have a some point made them.In this book, Jinks McGrath looks at the history and significance of rings. She then discusses the actual making of rings the properties of various metals, the techniques such as annealing, soldering, shaping and forging that are needed to work them; and possible ways of decorating the rings. She demonstrates these techniques in clear step-by-step sequences which will guide the reader through the processes involved. Finally, the book is illustrated with the work of an international group of artists. Their beautiful rings will both encourage and inspire the reader.
Jinks McGrath is a well known British jeweller who has exhibited widely both in Britain and on the Continent. As well as running jewellery-making courses form her workshop, she also gives lectures on jewellery and enamelling. She has previously written three other books on jewellery making.
ISBN 0 7136 5393 0

 

ItemGemstones: Cally Hall
The clearest and sharpest recognition guide to over 130 varieties of gemstones form around the world.Packed with more than 800 crystal-clear photographs with precise annotation to make identification sure and simple.
Concise and jargon-free text pinpoints the key characteristics of each gemstone and provides quick, accessible information.
ISBN 0-7513-2731-X

 

ItemThe Artist s Sketchbook: Lucy Watson
Sketching is the foundation of all visual artistic pursuits, providing you will unlimited freedom to explore and experiment with you work. The Artist s sketchbook helps you use sketching to enhance and develop your art with tips, techniques, and advice suitable to artists of any skill level from hopeful begi9nner to seasoned professionals.ISBN 1 58180 211 0 @X@file_id(_6609_1)@X@

 

ItemJEWELLERY Fundamentals of Metalsmithing: Tim McCreight
This book offers the intermediate metalsmith clear and insightful instruction from a master teacher. It is lavishly illustrated, both with demonstration photos taken in the author's studio and with photographs of completed jewellery from a wealth of talented artists.ISBN 0-7136-4900-3

 

ItemJewellery making techniques book: Elizabeth Olver
Eye-catching designs, whether traditional or contemporary, provide jewellery with real beauty and lasting value. Elizabeth Olver shows you how to create such works of art, beginning with simple projects that focus on the basics of jewellery making. Larger colour photos and fully illustrated step-by-step instructions made every step a snap.You will learn how to choose the tools and materials that are appropriate for you, how to measure and cut various metals and assemble, decorate and put a professional finish on every completed piece.
You ll then advance to more challenging techniques and complex designs, mastering over 50 jewellery-making techniques in all, from piercing and drilling to stone setting. This book includes all the guidelines and advice you ll need to enjoy jewellery making for years to come.
ISBN 1-840923-36-9

 

ItemBOXES & LOCKETS Metalsmithing Techniques: Tim McCreight
Packed with demonstration photos, brilliant work from contemporary artists, and instrucion from a master teacher, this volume belongs in the library - and studio - of every practising and aspiring metalsmith.ISBN 0-7136-5260-8

 

ItemThe Encyclopedia of Jewellery Making Techniques: Jinks McGrath
Comprehensive reference to jewellery making techniques from annealing to wirework. Learn to craft exquisite brooches, tie pins, necklaces, earrings and more. Use materials form classic to contmeporary including gold, silver, plastics and even precious stones. Step-by-step photographs help you to achieve professional results. Includes an inspirational gallery of finished pieces from expert jewellers.ISBN 0-7472-7679-X

 

ItemGemstones of the World: Walter Schumann
A complete survey of the gemstones of the world with 1,500 stones illustrated in full colour and described. Very accessible - not over technical.ISBN 7198 0051 X

 

ItemJewellery making manual: Sylvia Wicks
300 illustrations, with more than 150 in full colour. Clear, easy-to-follow descriptions of basic and advanced techniques. Tips of the trade help you to achieve professional results. Specially commissioned step-by-step demonstrations. Covers exciting new developments, using non-traditional materials. Outlines and illustrates the principles of good design.ISBN 0-316-90484-8

 

ItemHydraulic Die Forming for Jewellers and Metalsmiths: Susan Kingsley
Explore this practical alternative to the high costs of heavy machinery and expensive dies. Make one-of-a-kind pieces, limited editions or manufacturing prototypes. See beautiful examples of these techniquews as used by successful artists. More than 10 photos and illustrations. Explains hydrolics and the use of accessories for bending, tube-making, stamping and more. Easy step-by-step procedures for making your own dies. Includes how to make and temper steel blanking dies. Explores contemporary materials for dies-making including plastic, steel, epoxy, urathane and acrylics. Includes tables of measurements and ratios saving you hours of calculation. Complete lists of equipment, resources, and suppliers.ISBN 0-9635832-0-4

 

ItemWorking with Precious Metal Clay: Tim McCreight
Precious metal clay (PMC) is an exciting new material for jewellers and other crafts people. It is as easy to manipulate as polymer clay but when it is fired, the resulting object is 99.9% solid silver - ideal for making earrings, pendants, rings and other small items. In this book, Tim McCreight describes this new material and explains how to work with it successfully. He provides answers to questions about forming, firing, finishing, stonesetting and findings. He also provides and imaginative set of projects each with clear step-by-step directions to show the wide range of possibilities this amazing new material provides.ISBN 0-7136-5828-2

 

ItemThe Jeweler s Bench Reference: Harold O Connor
The Bench Referenc evolved form the author s book Procedures and Formula. It contains clear and concise information on jewelry methods and problem solving. This compact format of book is meant for convenient use at the workbench, easy carrying in a coat pocket, or storage in a toolbox or desk drawer. It is a compilation of information vital to ever jeweler the kind of information that will increase efficiency. It can help the jeweler to work more independently of refiners and supply houses: using the information on alloying and reclaiming scrap, the jeweler can make many of his materials in his own workshop. The student selecting this book gains access to many professional tricks of the trade.ISBN 0-918820-03-0

 

ItemTeach Yourself Jewellery Making: Emma Gale & Ann Little
Teach Yourself Jewellery Making progresses form very simple techniques which require little of no equipment, through to setting up a basic workshop.Learn a diverse range of skills and techniques such as enamelling to produce many exciting results.
Follow the simple step-by-step instructions to produce a wide range of projects.
Creating effective adornments using inexpensive objects such as buttons, threads, stones and paper.
Learn how to use a wide range of material ranging from plastics and resins to metal and wire.
Emma Gale and Ann Little are professional jewellery makers and they run their own jewellery making business in Edinburgh, Scotland. Their work can be seen in galleries throughout Britain and internationally.
ISBN 0-340-72140-5

 

ItemHandbook of Jewellery Techniques: Carles Cordina
This is a handy guide to the equipment, materials and techniques that can be used when making jewellery. It is aimed at the beginner but it would also be suitable as a quick reference boo for the more experienced jeweller. Carles Cordina shows in step-by-step sequences how to accomplish various techniques including enamelling, fusing, soldering and printing. It also carefully explains the pros and cons of different materials and finishes, and how to achieve them. This handbook is copiously illustrated with the work of fine artists to both show what is possible and to inspire the jewellery making.Carles Cordina is a well-know Spanish Jeweller. He is a professor in the Department of Jewellery Massana School in Barcelona. He has exhibited his work throughout Europe and he is in frequent demand as a lecturer and demonstrator. His work appears in both private and public collections.
ISBN 0-7136-5484-8

 

ItemTwo Books in One Jewelry: Madeline Coles
This radically new easy-to-use format features die-cut pages that split the book into two separate halves, eliminating the tiresome task of switching back and forth between the general techniques sections and the instruction for a specific project. Just open the top half to the design you want to work, and the lover half to the techniques that you need to do it, as you need to know them. There s wasted space, so there s lots more room for extra projects and loads of techniques, ideas and professional secrets.Master every technique you need to create fabulous jewelry: transferring complex designs to metal; cutting and sawing; drilling and filing; polishing; bending and doming; making hollow beads; soldering; making ear wires and hooks and clasps, twisting wire; mitering; stone setting; 20 techniques in all, each meticulously illustrated by step-by-step in color photos.
Ready to make exquisite projects? Create beautiful band and stone-set rings; single strand amethyst bead necklaces; multistrand necklaces made from colored freshwater pearls; a bead-drop choker or a sliver filigree necklace; a resin heart pendant; gypsy hoop, stone set, and pearl-drop cluster earrings; filigree brooches; chain and bangle bracelets 23 outstanding projects in all.
ISBN 0-8069-4822-1

 

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Green issues

Green issues
* Future Fashion White Papers, various works, edited by Leslie Hoffman.
* Sustainable Fashion and Textiles: Design Journeys, by Kate Fletcher
* Eco-chic: the Fashion Paradox, by Sandy Black
* Environmental Impact of Textiles: Production, Processes and Protection, by Keith Slater
* Green is the New Black, by Tamsin Blanchard
* Experimental Eco-Design, by Cara Brower, Rachel Mallory, and Zachary Ohlman

STATEMENT


3rd Year BA Hons Jewellery
WRITING A STATEMENT ABOUT YOUR WORK

Statements are professional documents. They are used to inform people about your work in different situations: exhibition information / catalogue; publicity / press releases; further study / job applications; funding applications, etc. You may need different versions for different purposes.

A statement should include what is important about the work, giving background information to the work - what may not be apparent to a viewer - and which enriches the experience of that work. Asking yourself these questions may help:

aims -                                                       how are you interpreting the subject of jewellery?
                                                                  is there a specific purpose or intention?
                                                                  what specific ideas are you exploring?
                                                                  how are you expanding or focussing these ideas?
                          
research/sources/influences   what was your starting point?
                                                                  what has prompted you to work in this way?
                                                                  has anything or anybody influenced you strongly?
                                                                  what are you looking at / thinking / reading about to inform the work?
                                                                  how are you interpreting / combining areas of research?

materials/processes/techniques          what is important about your choice?
                                                                  how does it relate to the ideas?

relationship to body/ person   what do your pieces do when worn?
                                                                  how do they feel / move / fit etc?
                                                                  do they perform a function?

resolution                                                do the pieces have something special to convey?
                                                                  how do pieces/ images constitute a body of work?
                                                                  is the context of the work important or particular in some way?
                                                                  where do you see the work fitting in / being shown / used etc?

anything else that you feel is important
These prompts are a guideline, they can be used in any order as appropriate
Avoid a straightforward description
Avoid a "and then" narrative
Avoid an account of technical details or problems you have encountered

Always read it out aloud to yourself or to others to check it makes sense before you finalise it.

In London

Appendix 1: Suppliers List

 

Precious metals:



Cookson precious metals                    

49 Hatton Garden,
London, EC1N 8YS
Tel: 0845 100 1122
Fax: 0121 212 6456
Open: Mon-Fri 9am to 4:30pm


J.Blundell & Sons Ltd.
16 Hatton Wall.
London.
EC1N 8JH
Tel: 020 7404 0744


Rashbel  (Base metals, small findings and materials)
24-28 Hatton Garden
London
Tel: 020 7831 5646


4D modelshop Ltd
The Arches
120 Leman Street
London E1 8EU
England UK
Contact details
t: +44 (0)20 7264 1288
f: +44 (0)20 7264 1299



Tools:

Walsh
Hatton Garden Showrooms:
44 Hatton Garden, London, EC1N 8ER
Tel: +44 (0)20 7242 3711
Fax: +44 (0)20 7242 3712
Open: Monday to Friday 09.00 to 17.00
Nearest Stations:
Farringdon (Circle Line)
Chancery Lane (Central Line)
Farringdon Thameslink
Buses: 8, 17, 22B, 25, 45, 46, 55, 63, 171A, 243, 259, 501 & 521


Euro Findings London
5-9 Hatton Wall
Hatton Garden
London
United Kingdom
EC1N 8HX
Telephone: +44 (0)20 7404 5762
Fax: +44 (0)20 7831 6701

Cookson precious metals

49 Hatton Garden,
London, EC1N 8YS
Tel: 0845 100 1122
Fax: 0121 212 6456
Open: Mon-Fri 9am to 4:30pm

 

Platers:


Sinclars

23 Hatton Garden
EC1N 8BQ
02074043252

Elliot & Fitzpatrick

31 Hatton Garden
London
EC1 8DH

Nearest tube stations are:
Farringdon (Circle line, Metropoliton line, Hammersmith & City lines)
Chancery Lane (Central line)
Tel: 0207 404 5124
Fax: 0207 404 7528
Email: elliotfitzpatric@aol.com 




Richard Fox Electroforming
Postal address
8-28 Milton Avenue
Croydon
Surrey
CRO 2BP
United Kingdom
By Telephone
+44 (0)20 8683 3331



Casting and rapid prototyping:

Weston Beamor
3-8 Vyse Street
Birmingham
B18 6LT
England
T: 0121 236 3688
F
: 0121 236 8100
E: info@westonbeamor.co.uk
W
: www.westonbeamor.co.uk
Opening hours
08:30 - 17:00 Monday to Thursday 08:30 - 16:30 Friday


Niagara Falls Castings (UK) Limited
Budbrooke Road

Warwick
CV34 5XH
United Kingdom
Telephone:+44 (0)1926 496258
Fax:+44 (0)1926 496250

2013년 9월 23일 월요일

mixed media

세계미술용어사전

혼합 매체

[ 混合媒體 , mixed media ]
하나의 예술작품을 완성하기 위해 여러 개의 매체들을 동시에 사용한 혼합 기법. 회화, 조각, 영화, 사진, 텔레비전 등 모든 시각 커뮤니케이션의 매체 중에서 몇 개를 동시에 사용하여 서로 결합시킴으로써 작품을 만든다. 1960년대 후반부터 뉴욕화파의 전위미술가들 사이에서 사용되기 시작한 것으로 약간의 뉘앙스 차이는 있지만 인터미디어와 동어적으로 사용되기도 한다.

미술에 있어서 믹스트 미디어는 통상의 그림 재료나 조각의 소재가 아닌 일상에서 발견된 오브제의 조합으로 구성된 작품 또는 그 소재를 표기한다. 특히 20세기 들어서 전통적인 재료를 탈피하려는 작가들이 늘어나면서 그 범주와 종류가 증가하였다. 혼합 매체는 1960년대에 복합적 환경미술, 이벤트, 해프닝, 퍼포먼스 등을 총칭하는 용어로서 사용되었다. 무용, 팬터마임, 음악, 영화 등 각기 다른 예술 형식이 혼재해 있을 뿐 아니라, 오브제, 음향, 빛, 등장인물의 행동까지도 포함하는 종합적인 미술 표현이라고 할 수 있기 때문이다.

그 예로는 1966년 뉴욕에서 행해진 아모리쇼에 출품한 라우센버그Robert Rauschenberg(1925~ )의 텔레비전과 등장인물의 액션을 포함한 작품이나, 휘트먼Robert Whitman의 영화와 텔레비전을 병용한 작품, 컬러 텔레비전이나 비디오테이프를 사용한 백남준의 작품들을 들 수 있다. 한편 1970년대 중반부터는 미술 저널리즘을 중심으로 자주 사용되었다. 이 경우에는 시각 커뮤니케이션의 여러 매체를 동시에 사용하여 서로 결합시키는 움직임을 구체적으로 지적하는 용어로 통용된다.
[네이버 지식백과] 혼합 매체 [混合媒體, mixed media] (세계미술용어사전, 1999, 월간미술)